![]() It’s as if the tape has stopped, the world has ended, the mirror cracked, the light vanishedeverything is in silence, blackness, nothingness, gonea neat trick played by JD Twitch and Gareth Jones, the album’s producer and engineer. This high-pitched note is met first by stomping feet, then by clapping handssingle file and far, far off, but growing in size and intensitybefore finally being joined by the voices of Adele Bethel and Scott Paterson, singing, strangely singing, barely singing at all, more chanting, intoning, repeating, casting:Īnd there the music (what little there was of it) dies completely, leaving the listener, the viewer, in utter darkness. Barely audible at first, it grows and grows and rises vertically in the soundstagefor 15 seconds it grows: a sharp white light in an otherwise dark roombuilding tension, warning of some sort of danger, as it goes. ![]() ![]() Mirror Mirror, the third album from Glasgow band Sons & Daughters, opens with a single note from a vintage synth. ![]()
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